Exploring a Lost Medium
In 1984, David Dolan began experimenting with nitrocellulose lacquer pigments, attempting to control the exceptionally unique qualities this uncooperative medium possessed. Years of trial and error resulted in the development of many innovative application techniques. With unyielding persistence control developed and David’s artwork gradually evolved into a truly unique art form, all his own.
In 1998, the EPA implemented mandatory changes to the chemical formulation of nitrocellulose lacquer. While being beneficial to the environment, the medium would never be the same, and the unique attributes were never able to be reproduced. David continued to paint on a limited basis until 2009, when his stockpile of paint ran out. It seems likely that works such as these may never be produced again.
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The Materials
The one of a kind paintings were done on the surface of ¼ inch tempered board which is extremely durable and non-porous. The raw pigments David used to make the medium are the same as those used to make conventional oil paint, and have the same color-fast qualities. The difference is in the binders and solvents he used. At no time were non-compatible chemical reactions used to achieve special effects. This was to assure the permanence and longevity of the paintings. Clear topcoats that can yellow and discolor over time were never used. Gloss enhancer was used within the pigments to achieve the desired intensity. The complex layering process yields a unique depth of color that transforms into three dimensional effects that are exceptionally impacted by changes in lighting.
This was an inherently volatile and flammable medium. The studio was in an industrial area and was ventilated in much the same way as an automobile spray booth would be. Protection needed to be worn at all times and an elaborate respiration system was a necessity.
